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International Typographic Style Posters

Original International Typographic Style Posters

Akari Original Poster by Josef Muller-Brockmann  Muller-Brockmann, Josef.
Akari (Lamp Exhibit), 1975 

Die Gute Form Original Poster by Armin Hofmann Hofmann, Armin.
Die Gute Form, 1954 

General Dynamics - Atoms for Peace Original Poster by Erik Nitsche
Nitsche, Erik.
General Dynamics - Atoms for Peace, 1955

Funftes Junifestkonzert der Tonhalle Original Poster by Richard Lohse
Lohse, Richard P.
Funftes Junifest Konzert der Tonhalle, 1958

auch Du bist liberal Original Poster by Karl Gerstner
Gerstner, Karl.
auch Du bist liberal, 1959 

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Explore our world-leading International Typographic Style collection, consisting of nearly 200 original vintage posters from the '50s, '60s, '70s & beyond from around the globe. Most popular searches: 

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International Typographic Style Primer: 

A new graphic design style emerged in Switzerland in the 1950s that would become the predominant graphic style in the world by the '70s. Because of its strong reliance on typographic elements, the new style came to be known as the International Typographic Style. 

The style was marked by: 1) the use of a mathematical grid to provide an overall orderly and unified structure; 2) sans serif typefaces (especially Helvetica, introduced in 1961) in a flush left and ragged right format; and 3) black and white photography in place of drawn illustration. The overall impression was simple and rational, tightly structured and serious, clear and objective, and harmonious.

The style was refined at two design schools in Switzerland, one in Basel led by Armin Hofmann and Emil Ruder, and the other in Zurich under the leadership of Josef Muller-Brockmann. All had studied with Ernst Keller at the Zurich School of Design before WWII, where the principles of the Bauhaus and Jan Tschichold's New Typography were taught.

The new style became widely synonymous with the "look" of many Swiss cultural institutions which used posters as advertising vehicles. Hofmann's series for the Basel State Theater and Muller-Brockmann's for Zurich's Tonhalle are two of the most famous. Hofmann's accentuation of contrasts between various design elements and Muller-Brockmann's exploration of rhythm and tempo in visual form are high notes in the evolution of the style. 

In addition, the new style was perfectly suited to the increasingly global postwar marketplace. Corporations needed international identification and global events such as the Olympics called for universal solutions which the Typographic Style could provide. With such good teachers and proselytizers, the use of the International Typographic Style spread rapidly throughout the world. In the U.S., Hofmann's Basel design school established a link with the Yale School of Design, which became the leading American center for the new style.

Leading Artists:  Muller-Brockmann, Hofmann, Nitsche, Lohse, Ruder, Poretti, Aicher, Bill

For more, visit our past gallery exhibitions:
   Mid-Century Modern - The Posters of Armin Hofmann
   Mid-Century Modern - The Posters of Josef Muller-Brockmann


Der Film Original Poster by Josef Muller-Brockmann  Muller-Brockmann, Josef.
Der Film, 1960

Architecture en France Original Poster by Carl B. Graf
  Graf, Carl B.
Architecture en France,

 La Vie est un Songe Original Poster by Aldo Poretti
 Poretti, Aldo.
La vie est un songe,

  Zoologischer Garten Basel Original Poster by Rudi Barth
Barth, Ruedi.
Zoologischer Garten Basel, 1953

Konstructive Grafik Original Poster by Hans Neuberg
  Neuberg, Hans.
  Konstruktive Grafik,

 Olivetti Numbers Original Poster by Giovanni Pintori
 Pintori, Giovanni.
  Olivetti (numbers),

Musica Viva Original Poster by Josef Muller-Brockmann
Muller-Brockmann, Josef.
Musica Viva, 1956 


Giselle Original Poster by Armin Hofmann
 Hofmann, Armin.
  Giselle, 1959 


 Opernhaus Zurich Ballett Original Poster by Josef Muller-Brockmann
Opernhaus Zurich -
Ballett, 1970

  Musica Viva Original Poster by Josef Muller-Brockmann
Muller-Brockmann, Josef.
Musica Viva, 1972  

Kartographie in der Schweiz Original Poster by Richard Lohse
 Lohse, Richard P.
Kartographie in der
Schweiz, 1952 

Max Bill - Galerie du Perron Original Poster by Max Bill
 Bill, Max.
  Max Bill - Galerie du
Perron, 1961