< Back

Home : About Poster Art : Subject Primers : Maitres de l'Affiche

Maitres de l'Affiche

Original Maitres de l'Affiche Posters

Olympia (Maitres de l'Affiche) Original Poster by Jules Cheret Cheret, Jules.
  Olympia, 1898

Moulin Rouge (Maitres de l'Affiche) Original Poster by Henri de Toulouse-Lautrec   Toulouse-Lautrec, Henri de.
Moulin Rouge, 1898

Bieres de la Meuse (Maitres de l'Affiche) Original Poster by Alphonse Mucha
Mucha, Alphonse.
Bieres de la Meuse, 1899

l'Ermitage (Maitres de l'Affiche) Original Poster by Paul Berthon Berthon, Paul.
l'Ermitage, 1900

Absinthe Robette (Maitres de l'Affiche) Original Poster by Privat Livemont
Livemont, Privat.
Absinthe Robette, 1897

Theatre de l'Opera (Maitres de l'Affiche) Original Poster by Jules Cheret
Cheret, Jules.
Theatre de l'Opera, 1896

Lippincott's August (Maitres de l'Affiche) Original Poster by William L. Carqueville
Carqueville, William L.
Lippincott's August, 1898 

View all Maitres de l'Affiche 

Explore our leading Maitres de l'Affiche / "Masters of the Poster" collection, consisting of nearly 100 original vintage prints from 1895-1900. 

Don't see what you're looking for? Use the Search Bar at the upper right to refine your search.

Maitres de l'Affiche Primer: 

The Maitres de l'Affiche series was the direct result of international interest in posters and poster artists that reached its height in the mid-1890s in Europe and America. The masterpieces of artists like CheretToulouse-Lautrec, and Mucha transformed commercial advertisements into an esteemed art form worthy of public adoration and scholarly pursuit. Along with the decade's wave of poster journals, books, and exhibitions came a serious desire to collect the artworks for personal enjoyment and study -- but the sheer size of posters made storage awkward and often times impossible.

The Maitres de l'Affiche ("Masters of the Poster") series was born of this dilemma. By offering subscribers reductions of the era's most important posters, collectors and enthusiasts were able to build miniature archives of posters from around the world. The complete Maitres de l'Affiche series boasted 256 expertly produced miniature lithographic plates representing the best of the Belle Epoque. During its five-year run from late 1895 to 1900 the series was hugely successful, and it continues to be popular today, offering experts and novices alike a convenient and dazzling overview of some of the finest achievements in poster art.

It is not surprising that the exquisite Maitres de l'Affiche collection was the brainchild of Jules Cheret, inventor of the three-stone lithographic process and virtual founder of the modern poster.  As early as the 1860s, Cheret's magnificent creations brought elegance and color to the urban landscape of Paris and soon generated an international industry.  By 1866, Cheret opened his own print shop, which would eventually become a branch of the large French publisher Imprimerie Chaix.  His role as artistic director at Chaix provided Cheret with the platform and resources necessary to launch the Maitres series.

The first four plates were released in December of 1895 and featured posters by Cheret, Toulouse-Lautrec, Julius Price, and Dudley Hardy.  The series would continue for a total of sixty months, ending in November of 1900 -- truly spanning the peak of the poster craze.  In the end, there were a total of 240 regular plates and 16 bonus plates. 

The Maitres de l'Affiche series operated much like a contemporary magazine.  A poster enthusiast had the option of purchasing the current month's four plates from a specialized dealer, or he could choose to subscribe to the series for the length of one year.  In France, a one-year subscription cost 27.00 francs, equivalent to roughly five to ten original full-sized versions of the posters highlighted in the Maitres series.  At the time, posters by leading artists such as de FeureSteinlen, and Guillaume were selling for 3.00 to 5.00 francs a piece.

The first plate of every month was a poster by Cheret himself, making him the most frequently represented artist in the series.  As a matter of fact, Cheret's 60 regular and seven bonus plates comprise nearly 25-percent of the entire collection.  All in all, 97 artists from around the world were represented in the Maitres de l'Affiche series, though more than half of them were French.  In contrast, only four were from Italy, six from Germany and eight from England. A range of popular styles are evident in the collection, including the classic Art Nouveau of Mucha and Livemont, the illustrations of Penfield and Willette, and the graphic qualities of Toulouse-Lautrec and Bonnard.

The original, full-sized posters and the Maitres prints they inspired were never considered in competition with one another; rather, they were viewed as two entirely different entities.  While posters were large and bold, prints were beloved for their exquisite size and detail.  In addition, posters were often printed on inexpensive newsprint due to their anticipated short lifespan. 

Prints, on the other hand, were made on very fine paper using printing techniques too intricate for larger items.  Print collecting was an extremely popular hobby in its own right well before posters became fashionable.  Cheret introduced the modern poster, but it was not until Toulouse-Lautrec's Moulin Rouge in 1891 that posters were elevated to an art form print collectors deemed worthy of their attention.  In many ways, the Maitres series can be seen as the successful marriage of the poster and print crazes.

In his preface to Volume I of the Maitres series, Roger Marx, a notable 19th-century art historian and critic, described the streets of Paris as 'a museum in the breeze.' He wrote that 'the poster has a precarious fate... it gleams in sun, fades in the mist, dangles sadly in shreds, [and] sways in the wind after a heavy shower.'  Although innately ephemeral in its purpose, the poster was saved by its beauty and charm.  Les Maitres de l'Affiche, in its convenient format, has certainly stood the test of time.

For more, visit our past gallery exhibition featuring Maitres:  Poster Masters of the Belle Epoque 1890-1910

View all Maitres de l'Affiche 

Bal au Moulin Rouge (Maitres de l'Affiche) Original Poster by Jules Cheret Cheret, Jules.
Bal au Moulin Rouge, 1896

A Trip to Chinatown (Maitres de l'Affiche) Original Poster by The Beggarstaff Brothers
The Beggarstaff
A Trip to Chinatown,

 Concerts Ysaye (Maitres de l'Affiche) Original Poster by Henri Meunier
  Meunier, Henri.
Concerts Ysaye, 1896

  When Hearts are Trumps (Maitres de l'Affiche) Original Poster by William H. Bradley
Bradley, William H.
When Hearts are Trumps, 1896

Pantomimes Lumineuses (Maitres de l'Affiche) Original Poster by Jules Cheret
  Cheret, Jules.
Lumineuses, 1896

 Motocycles Comiot (Maitres de l'Affiche) Original Poster by Theophile-Alexandre Steinlen
  Steinlen, Theophile-
Motocycles Comiot,

Zlata'Praha (Maitres de l'Affiche) Original Poster by Vaclav Oliva
 Oliva, Vaclav.
Zlata'Praha, 1899  

Redoute des Etudiants (Maitres de l'Affiche) Original Poster by Jules Cheret
 Cheret, Jules.
Redoute des Etudiants,

 Vin Mariani (Maitres de l'Affiche) Original Poster by Jules Cheret
  Cheret, Jules.
Vin Mariani, 1897

Salon des 100 (Maitres de l'Affiche) Original Poster by F.A. Cazals
 Cazals, F.A.
Salon des 100, 1896  

Harper's March (Maitres de l'Affiche) Original Poster by Edward Penfield
 Penfield, Edward.
Harper's March, 1896 

 Chocolat Menier (Maitres de l'Affiche) Original Poster by Firmin Bouisset
Bouisset, Firmin.
Chocolat Meunier, 1896